Despite the success of the 1987 BBC documentary series, The Duty Men, the failure of the 1986 series The Collectors made it hard for the BBC was unwilling to contemplate another Customs-based drama series. Independent producer Paul Knight was looking for a follow-up to his successful ITV series London’s Burning. He told reporter Annie Leake that, “I realised there were tremendous possibilities there for a fictional series. In many cases HMCE’s powers far outreach those of the police. It’s surprising that the BBC didn’t spot the potential first.” By a strange coincidence, one of the London’s Burning directors was Keith Washington, who had also worked on The Collectors! Writer Anita Bronson based the scripts for The Knock (named after the call-sign for a raid, and consciously echoing The Sweeney) on extensive research. Inevitably, some of the scenes recall The Duty Men. A “classic-bag-switch” in the penultimate episode seems very much like a scene from the BBC series, right down to the

 Fly-on-the-wall tv documentary shows are so commonplace today that it is hard to imagine what a big deal a series like The Duty Men was back in 1987 – made in the days of heavy film cameras and sound equipment in a much less open society.  While the 1986 drama series, The Collectors had proven unsuccessful for the BBC, the Corporation had an ace up its sleeve. During the same time period, documentary maker Paul Hamann was collaborating with HM Customs and Excise on the 1987 BBC2 documentary series: The Duty Men. Hamann had made over 40 documentaries for the BBC (as a producer for the BBC’s Open-Door Unit, he helped residents of Belfast’s Divis Flats in the Falls Road make a documentary about their poor housing conditions). His 1985 ‘Real Lives’ documentary about extremism in Northern Ireland was the subject of a special meeting of the BBC Board of Governors after an article by the Sunday Times resulted in Home Secretary Leon Brittan (who had not seen the film) demanding the BBC pull t

1 November 2024 will mark the 30th anniversary of Air Passenger Duty. Hated by passengers, loved by Governments. Air Passenger Duty went live in 1994, but was introduced in 1993 by Kenneth Clarke, Chancellor of the Exchequer, who thought it was unfair that international agreements let air transport fly on fully duty rebated aviation kerosene, as a result being the only form of transport that was not taxed. As a counterbalance, Clarke brought in an excise duty collected by airlines on passengers who start their flights from the UK. It was never positioned as a ‘green’ tax. Clarke said at the time, “I need to raise revenue…in a way which does least damage to the economy.” The Finance Bill that brought in APD and Insurance Premium Tax was the largest to date, and HM Customs and Excise had not introduced taxes of such weight since the creation of VAT. The Assistant Secretary at Revenue Duties A in Manchester put in a bid to take on the new tax as, “it sounded interesting and it would help

The Collectors was a BBC1 series which ran for 10 episodes on Saturday evenings from March to May 1986. Unlike, The Revenue Men, it focussed on the uniformed HM Customs and Excise staff based at the Custom House in a small port called Welling (filmed at Poole). Peter McEnery starred as Harry Caines, the new Surveyor at Welling District, drafted in from Heathrow Airport to sharpen up performance. “Chumminess is a thing of the past,” he warns his staff. Created by Welsh writer, Ewart Alexander (Kings Royal, Juliet Bravo) the series featured a cross-section of characters. Michael Billington (UFO, The Onedin Line) played Tom Gibbons, a Higher Executive Officer, resentful at being passed over for the Surveyor’s job and placating a rich and spoilt young wife (Karen Drury, later of Brookside). Jack McKenzie played bearded HEO Calvin Simpson, never happier than when aboard his Customs launch, The Seal. Lois Butlin (Grange Hill) was Alyson Bentley , horse riding, fast-driving Executive Of